TECHNES Encyclopedia Database

Frédérique Devaux analyses large urban centres in Bri(n)s d’images (1998) employing the resources themselves of the film stock’s structure, which is used like an analytical grid. Her previous film, Logomagie (1997), was a study of different film stock formats. David Matarasso, describing the montage carried out within the shot by bringing together which originally were separated, speaks of figurative incrustations whose enjoyable dimension he emphasizes, inviting to see in them an exploration in greater depth of Sergei Eisenstein’s conflictive and ecstatic montage.