(Don’t) Look at the Camera - Text 2
The historian Kevin Brownlow, by means of an anecdote told by the film’s co-director, Martin Johnson, highlights the paradoxical depiction of the work of filming images provided by these individuals:
In his book Johnson was ambiguous about the native reaction to photography. On the one hand, he claimed they had no concept of a photograph. “They turn it upside down and on its side trying to find out what it is all about. I have shown them the best of my flashlights and daytime stills and often they cannot tell an elephant from a rhino.” On the other hand, an African who worked as laboratory assistant became a photographic expert, and Simba shows tribesmen grinding away at Akeleys with the expertise of professionals.[3] .
Document type (medium)
Born-digital text
Contributor
Publisher
TECHNÈS
Date available
2023
Language
en
Format
text/html
Rights
© TECHNÈS, 2023. Some rights reserved.
License
Identifier
ark:/17444/22234c/6159
Record last modification date
2023-12-20
